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A team of weird, colorful, impassioned, obsessive people, the blog is WRGW’s digital publication. We post concert coverage, sports articles, reviews, opinion pieces, poems, personal essays, webcomics, and more. We’re always seeking new writers, photographers, artists and creatives and we’ll publish (almost) anything. Think you’ve got the write stuff? Join us.
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- Men’s Basketball Surges in Second Half, Beats Elon
By Joey Hodges The GW Men’s Basketball team won 69-50 Tuesday night, securing its fifth consecutive season opening 3–0 under Head Coach Chris Caputo. GW established an early lead in the first half, but Elon refused to let them get comfortable. Whatinitially looked like a shaky start for Elon gradually turned into a competitive back-and-forth… - George Washington Women’s Basketball Gets First Win Over Georgetown Since 2019
By Michael Frere The George Washington Revolutionaries (2-1) hosted Georgetown Hoyas (3-1), where they secured their first win over the Hoyas since 2019 in a 78-74 thriller. After the Revs’ loss to ranked West Virginia University on November 5th, GW looked to bounce back with a win over Georgetown and hand the Hoyas their first… - Concerts, Clothes, and Charisma
By Andie Ettenberg A 27 year old in a knit frog hat. A man in a women’s XS cardigan. Sunglasses indoors. The contrast of a lead singer wearing a full 70s cosplay next to a guitarist dressed like early Billie Joe Armstrong and a backup singer dressed like someone out of Subway Surfers. All at… - PREVIEW: Giant Rooks @ 9:30 Club, 11/15
by Zeina Al-Ramahi Giant Rooks, a German indie rock band founded by musicians Frederick Rabe, Finn Thomas, Finn Schwieters, and Luca Göttner, will perform an immersive and emotional collection of songs at the 9:30 Club on Sunday, November 15. Bringing electric melodies, atmospheric guitar riffs, and pure passion, Giant Rooks’s tour follows the release of… - Mikey’s College Football Minute Week 10
Penn State QB Rocco Becht passes against Washington, Joe Nicholoson IMAGN IMAGES By Michael Frere Everyone, Mikey is finally back from his hiatus, bringing you the best college football analysis in the world. I got two words for you all: what’s going on with college football? I’ve said this almost every week, but it truly… - CONCERT PREVIEW: Strawberry Guy @9:30 Club, 11/13
Alexander Morgan Stephens, a Welsh indie pop musician known as Strawberry Guy, is heading to the 9:30 Club on Friday, November 13th, at 10:00 PM - Men’s Basketball Keeps Rolling with 75-61 Home Win Over Hampton
By Zach Gindi-Chiafullo The George Washington Revolutionaries (2-0) kept their hot start going at home with a win over the Hampton Pirates (0-2), 75-61 Saturday night. After a historic blowout win against Navy on Monday night, GW hoped to build on that momentum and establish their new team identity. In a game filled with fast,… - CONCERT PREVIEW: Blu DeTiger @ The Atlantis, 11/5
By Adyra Fine Blu DeTiger is bringing her bass, indie-pop, soul, and a whole lot of groove to The Atlantis at 6:30 p.m. on Thursday, Nov. 5. The Want You Baby Tonight Tour precedes DeTiger’s newest EP, N.Y. Baby, releasing Nov. 6, the day after her D.C. stop. The five songs that have already been… - CONCERT REVIEW: Phoebe Bridgers @ Capital One Arena, 9/29/26
Making the second stop of her career in Washington, D.C., Bridgers performed to a crowd of 19,000 in Capital One Arena on September 29, 2026, for her sold-out Lost Tour to promote her third studio album, Lost Weekend. This venue was a big shift from her previous residency at D.C.’s The Anthem – the small concert venue holds 6,000. Despite this change, it was no less intimate. - The Tiny Desk You Probably Missed
Milo J’s La vida era más corta, describes a grittier version of Pan-American pride in resistance, influenced by his childhood growing up in the reguetón and urbano scenes of Buenos Aires, Argentina, where his family lived in the shadow of the Argentine dictatorship and the economic hardship caused by austerity. It is this ambitious, experimental album that landed Milo J an appearance on NPR in April this year and from which he draws during the performance.